Composer, Sound Artist, Researcher (Buenos Aires, 1953). He developed an extensive work as Professor in the Audiovision Degree Career at the National University of Lanús (UNLa), as well as at the National University of Tres de Febrero (UNTReF), the University of Belgrano (UB), and the “Julián Aguirre” and “Juan Jose Castro” Conservatories at Buenos Aires Province. He’s been a member of various composers’ associations, the Argentine Federation of Electroacoustic Music (FARME), and was associated composer – researcher at the Musical Research and Production Laboratory (LIPM) of the Recoleta Cultural Center (Buenos Aires).
He is Researcher at the Center for Studies in Music & Technology (CEMyT) of the National University of Rosario (UNR). Also in research, he carried out an intense activity at the UNLa where he directed the Center for Sound and Audiovisual Studies and Production (CEPSA) between 2013 and 2024, and from 2000 to 2014 the International Acousmatic and Multimedia Festival “Sonoimágenes”.
He received various awards and distinctions for his artistic activity, including: The Lifetime Achievement Award in Music (2019) by Argentine Award-Winning Artists ‘Alfonsina Storni’ association; The City of Buenos Aires Composition Prize (1996/97); Ibermúsicas Award (2016) for a composition residency in Morelia, Mexico in 2017; National Rostrum Award for Electroacoustic Music (1994); Mention from the National Rostrum of Composers (1987); Ars Contemporanea Composition Prize (1978).
He composed three works for the INA.GRM, Paris (1993, 1994, 2006), two of them GRM Commissions. He was a keynote speaker at the Sonic Arts Network 2004 (De Montfort University, Leicester, UK). He regularly presents his works at Festivals, Conferences and other national and international events. His writings are published by Cambridge University Press (Organised Sound), UNLa, Universidade de Uberlandia (Brazil), and Ariel Editions (Madrid). His music is released by: the Argentina National Fund for the Arts, The Argentine Music Council, UNLa, RedASLA, the University of Tennessee (USA), and the Labels IRCO and Viajero Inmóvil Ex]P[rimental (Argentina), Pogus (New York), CMMAS (Mexico) and Elektrons (Stockholm).

NEWS
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Primer concierto de Tekn[ø]5 en la temporada 2025, en la Sala Octofónica del LIPM, Centro Cultural Recoleta (Buenos Aires)
Tekn[ø]5’s first 2025 season concert of the , at the LIPM’s Octophonic Hall, Recoleta Cultural Center (Buenos Aires)
Incluida en el Concierto: “Fantasmas urbanos”
5 piezas acusmáticas (encargo GRM 2006 – rev 2008)
Ruptura – Llamado – Caída – Ausencia – Cifra
Bajar el Programa completo del Concierto en:
https://www.schachter.com.ar/wp-content/uploads/2025/05/Tekno5-Programa-2.jpgIncluded in Concert: “Fantasmas urbanos”
5 acousmatic pieces (commission GRM 2006 – rev 2008)
Ruptura – Llamado – Caída – Ausencia – Cifra
Download Complete Concert Programme at:
https://www.schachter.com.ar/wp-content/uploads/2025/05/Tekno5-Programa-2.jpg
ACTIVITIES – EVENTS – PRESENTATIONS
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Primer concierto de Tekn[ø]5 en la temporada 2025, en la Sala Octofónica del LIPM, Centro Cultural Recoleta (Buenos Aires)
Tekn[ø]5’s first 2025 season concert of the , at the LIPM’s Octophonic Hall, Recoleta Cultural Center (Buenos Aires)
Incluida en el Concierto: “Fantasmas urbanos”
5 piezas acusmáticas (encargo GRM 2006 – rev 2008)
Ruptura – Llamado – Caída – Ausencia – Cifra
Bajar el Programa completo del Concierto en:
https://www.schachter.com.ar/wp-content/uploads/2025/05/Tekno5-Programa-2.jpgIncluded in Concert: “Fantasmas urbanos”
5 acousmatic pieces (commission GRM 2006 – rev 2008)
Ruptura – Llamado – Caída – Ausencia – Cifra
Download Complete Concert Programme at:
https://www.schachter.com.ar/wp-content/uploads/2025/05/Tekno5-Programa-2.jpg
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Terminó la 15a Bienal Internacional de Música Electroacústica de Sao Paulo, donde participé con una conferencia y un Concierto curado el dia Lunes 7 de Octubre en el Teatro de Música del Instituto de Artes de la UNESP. La Conferencia y el Concierto tuvieron un gran impacto y una enorme concurrencia..! Todas las actividades como siempre fueron con acceso libre y gratuito. La programación completa está disponible en el siguiente enlace:
https://flomenezes.mus.br/…/xv_bimesp_2024_program.pdf
The 15th International Biennial of Electroacoustic Music of Sao Paulo has finished. There I presented a lecture as well as a curated concert on Monday, October 7th at the Music Theater of the Institute of Arts of UNESP (Barra Funda, Sao Paulo). The talk and the concert had both a great impact and a large attendance..! All activities were as usual free and open to the public. The complete program is available at the following link:
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El viernes 27 de septiembre, a las 18 hs, se presentó OCTO Vol. 2, CD virtual que incluye mi pieza Cifra Oscura e integra este Proyecto de estudio de obras electroacústicas octofónicas, que dirige Pablo Freiberg. El evento tuvo lugar en la Sala García Morillo del Departamento de Artes Musicales y Sonoras (DAMus) de la UNA en Av. Córdoba 2445, Buenos Aires con entrada libre y gratuita, y fue un placer tomar contacto con tantos colegas y público interesado en el tema..!
On Friday, September 27th, at 6 pm, the Virtual CD OCTO Vol. 2 was presented. This release includes my piece Cifra Oscura, and it is part of this Project that studies octophonic electroacoustic compositions, under the direction of Pablo Freiberg. The event took place in the García Morillo Hall, at the Department of Musical and Sound Arts (DAMus) of the UNA (National University of the Arts), Córdoba Ave. 2445, Buenos Aires. It was a great pleasure to share the CD release with so many interested colleagues and public..!